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The second predecessor building of Osnabrück's Marienkirche was constructed on the foundations of the first church in the 11th century.

Once again there featured a single-nave roofed hall with a semicircular apsis. Materials from the previous church were used to construct the rectangular western tower.

The most recent of the three predecessor churches was built during the 12th century. The single-nave roofed hall was expanded to include two narrow side aisles.

A three-aisled basilica with three semicircular altar apses and no transept was built. The core masonry of the western tower and the tower building are the only parts of this building which remain today.

During the 13th and 14th centuries the three-aisled basilica was transformed into a Gothic hall church.

Four more stories were added to the western tower and the chancel took on a rectangular shape. The subsequent conversion of the rectangular chancel into a basilica chancel around brought work on the Marienkirche to a temporary end.

The damage caused during World War II was repaired concurrently alongside the archaeological excavations; the repair work was finished by The reconstruction work, led by local architect Max H.

Berling, also led to changes in the features of the church as well as the colouration, most of which was done during a renovation in Marien is a three-aisled hall church without a transept.

The main aisle is three bays long. The bays in the central nave are slightly rectangular. Both side aisles are four bays deep, these having a slight oblong shape.

The central nave is separated from the side aisles by archways consisting of large compound piers. The extension of the side aisles by one bay each enables the inclusion of the western tower in the interior architecture.

On the eastern side, the nearly-quadratic hall is appended by the polygon-shaped basilican chancel. Attached to the chancel on the north side is the quadratic sacristy, covering four bays.

This has four arches, all buttressed by one central compound pier. The Gothic hall is overlaid by ribbed vaults. The nave is This gives the nave an almost-cubical shape.

The central nave is only slightly wider than the side aisles. This results in merely a weak accentuation of the longitudinal axis of the church.

The bays of the side aisles counteract this slight longitudinal alignment by opening up their broadsides to the central nave, thus emphasising the lateral alignment.

This gives the impression of undirected space. Marien is thus characterised by the overall appearance of its nave. The western tower stands imposingly over the roof of St.

Marien, representing the old market church. The design of the north and south sides of the Marienkirche is symmetrical.

A total of four portals enable entry into St. Marien, two each on the north and south sides. The market place is characterised by the visible side of the church, featuring four gables crested with tracery and narrow elevated lancet windows.

Sandstone figures are positioned on the gables. The buttresses — typical elements of Gothic architecture - help divide the visible side of the church into four vertical zones.

The buttresses run in pinnacles with waterspouts between the four gables. There are two portals on this side.

One side portal and the Brautportal, the main entrance to the Marienkirche. Buttresses along with flying buttresses and balustrades characterise the image of the chancel.

The exterior of the chancel underlies a bisection emerging from the ambulatory and the clerestory. The buttress of the Marienkirche in Osnabrück is given a very vivid design by the pinnacles as well as the neo-Gothic balustrades.

This dynamic image contrasts with the sober forms of nearby St. Until the Second Vatican Council of —65 all priests were expected to have competency in it, and it was studied in Catholic schools.

It is today still the official language of the Church, and all Catholic priests of the Latin liturgical rites are required by canon law to have competency in the language.

New Latin is also the source of the biological system of binomial nomenclature and classification of living organisms devised by Carl Linnaeus , although the rules of the ICZN allow the construction of names that deviate considerably from historical norms.

See also classical compounds. Another continuation is the use of Latin names for the surface features of planets and planetary satellites planetary nomenclature , originated in the midth century for selenographic toponyms.

New Latin has also contributed a vocabulary for specialized fields such as anatomy and law ; some of these words have become part of the normal, non-technical vocabulary of various European languages.

New Latin had no single pronunciation, but a host of local variants or dialects, all distinct both from each other and from the historical pronunciation of Latin at the time of the Roman Republic and Roman Empire.

As a rule, the local pronunciation of Latin used sounds identical to those of the dominant local language; the result of a concurrently evolving pronunciation in the living languages and the corresponding spoken dialects of Latin.

Despite this variation, there are some common characteristics to nearly all of the dialects of New Latin, for instance:.

The regional dialects of New Latin can be grouped into families, according to the extent to which they share common traits of pronunciation.

The major division is between Western and Eastern family of New Latin. The Western family includes most Romance-speaking regions France, Spain, Portugal, Italy and the British Isles; the Eastern family includes Central Europe Germany and Poland , Eastern Europe Russia and Ukraine and Scandinavia Denmark, Sweden.

The following table illustrates some of the variation of New Latin consonants found in various countries of Europe, compared to the Classical Latin pronunciation of the 1st centuries BC to AD.

New Latin texts are primarily found in early printed editions, which present certain features of spelling and the use of diacritics distinct from the Latin of antiquity, medieval Latin manuscript conventions, and representations of Latin in modern printed editions.

In spelling, New Latin, in all but the earliest texts, distinguishes the letter u from v and i from j. In older texts printed down to c.

By the midth century, the letter v was commonly used for the consonantal sound of Roman V, which in most pronunciations of Latin in the New Latin period was [v] and not [w] , as in vulnus "wound", corvus "crow".

Where the pronunciation remained [w] , as after g , q and s , the spelling u continued to be used for the consonant, e. The letter j generally represented a consonantal sound pronounced in various ways in different European countries, e.

It appeared, for instance, in jam "already" or jubet "orders" earlier spelled iam and iubet. It was also found between vowels in the words ejus , hujus , cujus earlier spelled eius, huius, cuius , and pronounced as a consonant; likewise in such forms as major and pejor.

J was also used when the last in a sequence of two or more i' s, e. In common with texts in other languages using the Roman alphabet, Latin texts down to c.

The digraphs ae and oe were rarely so written except when part of a word in all capitals, e. More rarely and usually in 16th- to early 17th-century texts the e caudata is found substituting for either.

These were normally only marked on vowels e. The acute accent marked a stressed syllable, but was usually confined to those where the stress was not in its normal position, as determined by vowel length and syllabic weight.

In practice, it was typically found on the vowel in the syllable immediately preceding a final clitic , particularly que "and", ve "or" and ne , a question marker; e.

Some printers, however, put this acute accent over the q in the enclitic que , e. The acute accent fell out of favor by the 19th century.

The grave accent had various uses, none related to pronunciation or stress. Most frequently, it was found on the last or only syllable of various adverbs and conjunctions, particularly those that might be confused with prepositions or with inflected forms of nouns, verbs, or adjectives.

In some texts the grave was found over the clitics such as que , in which case the acute accent did not appear before them. The circumflex accent represented metrical length generally not distinctively pronounced in the New Latin period and was chiefly found over an a representing an ablative singular case, e.

It might also be used to distinguish two words otherwise spelled identically, but distinct in vowel length; e. It might also be used for vowels arising from contraction, e.

From Wikipedia, the free encyclopedia. Redirected from Neo-Latin. For the language of original Latin works created since the beginning of the 20th century, see Contemporary Latin.

For the modern languages descended from ancient Latin, see Romance languages. For the modern Latin alphabet, see ISO basic Latin alphabet.

Form of the Latin language between c. Linnaeus , 1st edition of Systema Naturae is a famous New Latin text. Language family. Indo-European Italic Latino-Faliscan Latin New Latin.

Renaissance Latin. Writing system. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. June Learn how and when to remove this template message. Further information: Latin regional pronunciation.

The AFD nationalist and Nazis' march in Osnabrück was blocked by a rally organised by Kurds, German democrats and leftist organizations.

Neo-nazi march disrupted in Osnabrück In the German city of Osnabrück, Kurds and German democrats and left organizations protested the AFD ultra-nationalist and Nazis rally.

ANF OSNABRÜCK Wednesday, 15 Jul , Despite the police's attempt to provoke the anti-Nazis' demo, activists were not deterred.

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